"The mind is a compact, multiply connected thought mass with internal connections of the most intimate kind. It grows continuously as new thought masses enter it, and this is the means by which it continues to develop."

Bernhard Riemann On Psychology and Metaphysics ca. 1860

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Monday, March 29, 2010

Shakespeare's Magic

It's hardly surprising that one could entertain that Shakespeare was involved in the black arts, when so much of his overt subject matter is just that.   I.e., Midsummer's Night Dream, Prospero, etc. I have long maintained that Hamlet himself was a student of the black arts in Wurtemburg. Interesting that in Turgenev's speech, Hamlet and Don Quixote, he compares Hamlet to Faust. Anyway, I was just reading LaRouche's latest writing about Venice's takeover of Britain's monarchy via agents like Zorzi (aka Giorgi, whose Harmony of the Sphere's is parodied in Swift's isle of Laputa, as in the whorish false scientists) when I came across the issue of Cabbalism in the Merchant of Venice and the startling visual reference to that in the Globe theater. England at the time was overdosed with the occult. Robert Burton's depiction of the Rosicrucian's romp through jolly old England in his mystical book Anatomy of Melancholy gives a flavor of this. This continued unabated til the present, Isaac Newton's later alchemical magic wasn't a fluke. John Dee was at that time the real cabalistic 007head of British "intelligence," whose use of magic and drugs culminates today in the current British unleashing of the Crowleyan "Do what thou wilt" counterculture at her Satanic Majesty's request.


Globe theater and the Kabbala's SephirotThe Sefirot in Jewish Kabbalah

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